Because the media recording slots are on the side of the camera and not at the back there is no room to put them on the operator’s side of the camera. The EOS C300 Mark III is capable of ultra-high frame rates with its new chip design and DiG!C DV7 processor. Higher resolution, greater bit depths, and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Not responsible for typographical or illustrative errors. If not what are the available options? If you bought a C500 Mark II, you may well be looking at the C300 Mark III and questioning your decision. hands-on look and footage from filmmaker Dave May, Panasonic LUMIX S 70-300mm F4.5-5.6 MACRO O.I.S, Laowa 11mm f/4.5 FF RL now available in Canon RF mount, Laowa 65mm f/2.8 2x Ultra-Macro APO now available in Nikon Z Mount, Super 35mm 4K Dual Gain Output CMOS sensor (9.6 MP) 4206 x 2280, Full Frame 6062 x 3432 (20.8 MP) CMOS sensor, Electronically-controlled ND filter system, which supports 2/4/6 and an extended 8/10 stops, S35 Dual Gain Output CMOS sensor Super 35mm 4K Dual Gain Output CMOS sensor (9.6 MP) 4206 x 2280, External 16-bit raw 4K/2K up to 120 fps to a compatible device*, Newly developed S35 4K CMOS Dual Gain Output sensor, User-changeable Lens Mounts (EF, Locking EF, PL), EF, PL, anamorphic and Spherical Lens Support, Dual Pixel CMOS AF with Touch AF and Face Detection AF, Internal ND filters (clear, 2, 4, 6, 8, 10 stop – 8 & 10 with extension), 4K Cinema RAW Light, and 2K Cinema RAW Light, 4K DCI or 4K UHD digital production formats with XF-AVC Intra codec, 2K DCI or 1080-line HD digital production formats with XF-AVC Intra, 4K/UHD/2K/HD Long GOP 4:2:2 10-bit recording, Proxy video recording using XF-AVC LongGOP, 1 x 1/8″ / 3.5 mm Stereo Headphone Output. https://bhpho.to/3noJrx9. Sony PXW-FX9 6K Full-Frame Camera System Body. Less heat being produced means less image noise, which should equate to better low light performance. The EIS system only operates when recording in XF-AVC or XAVC Long GOP– it does not function when recording CinemaRAW Light. This is how ARRI describes how Dual Gain Output works: The Dual Gain Output simultaneously provides two separate read-out paths from each pixel with different amplification. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for initial file sharing and rough cutting. EIS should not be confused with IBIS, they are not the same. The C300 Mark III uses a brand new S35 sensor that has not been seen in any previous Cinema EOS camera. For more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The camera features up to 12G-SDI output over a single BNC cable, timecode I/O, and genlock input BNCs. Proxy recording is also supported, which allows a significant boost to your post-production speed. There doesn’t seem to be any dynamic range improvement in the highlights if you compare the camera to the C500 Mark II. Support for 12G-SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable. A site for working professionals in the TV & Film industry. The new sensor uses a Dual Gain Output (DGO) which I will talk about in-depth in the next section. In my opinion, the C300 Mark III is more in direct competition with the Sony FX9 than the C500 Mark II. What ARRI and Canon are doing requires there to be a dual readout on every frame and then processing all of that on every frame. You may be asking why doesn’t the C300 Mark III have an RF mount? The Canon EOS C300 Mark III Cinema Camera is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. This flexibility allows for a wide range of audio devices to be connected and mixed directly on the camera. We made sure to keep certain measurements the same, in order for users to be able to continue to use certain Cinema EOS and third party accessories that they’ve grown to rely on. User LUTs can also be created in software such as DaVinci Resolve, and then loaded via an SD card and separately stored. The Canon EOS C300 Mark III is the first Cinema EOS System camera to feature Canon's Dual-Gain Output (DGO) sensor, which means it can capture images with wider dynamic range and lower noise, making … The C500 Mark II utilizes the same 4″ LCD Monitor touchscreen (LM-V2) that is compatible with the Canon C500 Mark II. The new sensor uses a Dual Gain Output (DGO) which I will talk about in-depth in … The sensor has a physical size of 26.2 x 13.8 mm (29.6 mm on the diagonal. It is with HDR that DGO will be noticeable. Canon has just announced the C300 Mark III, an S35 digital cinema camera that can record internally in 4K at up to 120p in either RAW or XF-AVC 4:2:2 10-Bit. The C300 Mark III sits between the C200 and the C500 Mark II. The key area where the Mark III is better compared to its predecessor is that it is built on the same platform as the EOS C500 Mark … Speed up future orders, see order history, create wish lists, and more. The EF mount comes standard, the PL mount is $1,600 USD. One prioritizes highlights and the other prioritizes shadows and dark areas. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs. Diffraction correction is not a traditional video sharpening process, but rather it is a restoration based upon reported predictability. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories, and rangefinder as it is stripped down flying on a drone. This data is reported to the Digic DV7 processor that make high-speed calculations that in turn create the appropriate instruction to reposition the selected active image area. It starts off looking like previous models, but then users have the ability to customize it to suit their needs, which has never before been available in a Canon camera. Financing Available! It makes a lot of sense going with the same exact body for both cameras, as you can share accessories between the two models. Or only EF-S lenses? The Mark III, at least on paper, looks to be a massive improvement on the Mark II and it sends a clear signal that Canon is back in the game. Well, that isn’t possible, because that is where the optional module has to go. If you want to download the full specifications of the camera you can do so above. The FX9 is already available and it is attracting a lot of attention from FS7 owners and users. Store #0906712 Elec. How long can you record for in the various resolution, frame rates, and codecs? As another comparison, the Sony FX9 draws 35.2W. The EOS C300 Mark III comes standard with an excellent array of connections, including 12G-SDI, time code, dual XLR input terminals and others. At 3.9 lb they are only marginally heavier than the EOS C200 (3.2 lb). Conversely, if recording 2K onboard then only a 2K uncompressed version can be externally recorded. There is also an optional removable rear camcorder style viewfinder that costs $699 USD. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings. An AC Power Supply is not included. BH #WO282300 - https://bhpho.to/2KnLzGW. The Dual Pixel Focus Guide presents the user with a rectangle in the center of the EVF or monitor. Both modules interface with the camera body via a three-pin Fisher connection point. Can someone compare the pros and cons of the DGO sensors vs the full frame sensor of the C500 mii? Is it possible to operate the C300 Mk III on a jib with the touch monitor repositioned off camera so the jib operator can perform touch autofocus? It is important to note that the DGO can’t be turned on or off. #0907905; Sec. The mount is also interchangeable with a separately available PL mount by the end user. Canon Cinema EOS C300 Mark III; Canon Cinema EOS C500 Mark II; Canon Cinema EOS C700; Canon Cinema EOS C700 FF; I do know that Canon is actively working on making RF mounts for some of the older Cinema EOS … DAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DAF provides through the guide interface. But the specs here on B&H say only goes up to 59.94fps. You shouldn’t confuse Dual Gain Output with Dual Base ISO. The good news is most NLE’s can read it with plugins. With the Expansion Unit EU-V2, a total of four XLR ports are supported. Well, let’s have a look: 12 BIT RAW – 23.98, 24, 25, 29.98p10 BIT Raw – all other frame rates, 4K (4096×2160) RAW @ 25fps = 1gbps67min 512GB card, 4K (4096×2160) RAW @ 50fps = 1gbps67min 512GB card, 4K (4096×2160) @ 120fps = 437Mbps152min 512GB card, 2K RAW (2048×1080) @ 180fps (super 16mm crop) = 250Mbps261min 512GB card, 4K (4096×2160) XFAVC @ 25fps = 410 Mbps Intra166min 512GB card, 4K (4096×2160) XFAVC @ 50fps = 810 Mbps Intra84min 512GB card, 4K (4096×2160) XFAVC @ 120fps = 410 Mbps Intra166min 512GB card, 2K (2048×1080) XFAC @ 180FPS (super 16mm crop) = 160mbps Intra425min 512GB card. This balance shows itself in the all new modular design of this camera. It was a hugely popular camera for Canon, but just about everything else they have done since has been a little lacklustre, to say the least. The EU-V2 (Expansion Unit) costs $1,600 USD. Ready to Ship! WHich 4 Pin XLR AC Adapter is used for the Canon c300 mark lll? Canon Financial 24 Month 0% & 36 Month 1.99% Interest Lease Business Program, Canon Super 35 Dual Gain Output (DGO) Sensor, Dual Pixel CMOS Autofocus with Touch AF and Face Detection, High Frame Rate; 4K 120p and 2K CROP 180p, Canon Cinema RAW Light and XF-AVC Recording, Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64), 8 Stop (1/256), 10 Stop (1/1024) ND Filters, Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Rec709, Wide DR, 5.9 x 7.2 x 7.2" / 149 x 183 x 183 mm (Without Grip). This is exactly the same as the C300 Mark III. This new sensor is capable of dynamic ranges in excess of 16 stops and is compatible with Canon's exclusive Dual Pixel CMOS Autofocus technology. The sensor also uses the newer Digic DV 7 processor, the same one that can be found in the C500 Mark II. The days of Canon releasing cameras with underwhelming specifications and features seems to be a thing of the past. From what I can gather, Canon’s DGO is very similar to what ARRI has been doing for years. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on. The EOS C300 Mark III supports up to 4-channel audio recording. We close every Friday evening to Saturday evening for Shabbos. This makes it very similar in size to the sensor that is used in the C300 Mark II. If I was to guess as to why it doesn’t have an RF mount it would be that Canon engineers may be having issues trying to fit an internal ND system with the RF mount. The Extension Unit 1 (EVU-1) $499 USD, offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. Does the camera come with an AC power supply? The C500 Mark II can only record XF-AVC Long GOP proxies. If you shoot in Canon Log 3 then the dynamic range drops to 14 stops. Above you can see his hands-on video where he goes into considerable detail about the camera’s features and how it performs. Unlike Canon, ARRI is able to use Dual Gain Output on all frame rates. The C300 Mark III has rapid one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. This could be a potential usability problem if you are shoulder mounting the camera. Visit the Canon Support website for more information, or contact your local Canon representative. Cinema RAW Light offers plenty of freedom for grading with a dynamic range that can exceed 16 stops with Dual Gain Output (DGO) technology while maintaining file sizes that are about 1/3 to 1/5 the size of Canon Cinema RAW.

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